EDINBURGH FRINGE 2024 DAY ONE

Today, I return to Edinburgh to take part in the world's largest theatre festival. In fact, it's the third largest event in the world, with only the Olympics and World Cup being bigger.

Fucking crazy.

These things never seem real, or how you expect them to feel. 

Not like how you see it in the movies.

It's actually better.

Long ago, I'd picture some moment in my life that would change it all. That point where the music would swell, I'd suddenly be at one with the world, and everyone would love me and my family would be healthy and all would be well. 

And I suppose, in one sense, I've had that moment. 

Many times. 

But I still haven't unlocked the secrets of the universe.

I still haven't woken up remembering how to fly like I can in my dreams.

I still can't make it all make sense. 

But I do get to wake up. 

Be alive in this world. 

Get to have nights the the night I met Lisa.

The day I learned my first play got into the New York Fringe.

Opening night of East of Eden. 

Doing a show in Edinburgh Fringe.

I am so lucky.

So. 

Off to Denver International Airport.  Long flight. Land Tuesday morning at 11-ish. First tech rehearsal for our Press Launch. Basically, 20 shows get selected to present 2 minutes of their show to the world's theatre press. Places like The Guardian, The Telegraph, BBC, and so on. A huge opportunity to strut our stuff and hopefully entice some critics to come. 

We already have 6 lined up.

No pressure.

I will write more on this, but it is time to fly.

Literally.

Wish us luck. 

And magic.

And wonder.

If you want to see more about our show and maybe kick in a few bucks towards coffee and haggis, go here:

www.indiegogo.com/projects/banned-busted-and-beautiful/

And here's a travel/love song. It's 500 Miles by The Proclaimers. 

GROOVY, DROWSY CARNAGE- ALIVE AND WELL AND LIVING IN COLORADO

We have a lot of fantastic theatre in Colorado. Which might sound surprising to people, seeing as we are a fairly small state, with a fairly small population. But that population is quite groovy. I was lucky enough to see four outstanding shows in the past month: Hair at Town Hall in Littleton, God of Carnage at the Curious Theatre, and both The Drowsy Chaperone and Jaques Brel is Alive and Well and Living in Paris at the Fine Arts Center in Colorado Springs. All four shows were spectacular, and made me happy to be alive. Sometimes, you see a show, and it's bad. Really bad. And you sit there in your chair, which suddenly feels very uncomfortable, and words like "ponderous" keep floating to the surface of your slowly calcifying brain. But not so with these shows. I felt smarter after watching these shows. Better. Faster. Stronger.  It seemed as if my soul was being fed some sort of ambrosia that gave strength and courage. I believe that's what theatre, and art in general, is supposed to do, even if the subject is sad, gruesome, or horrifying: elevate your spirit, affirm to some degree what it is to be a human being, remind you that no one is alone.

HAIR was a joyous examination of the human spirit, with a solid cast, outstanding band, and rocking, show stopping numbers. GOD OF CARNAGE was wickedly funny, featuring four amazing actors- Karen Slack, Dee Convington, Erik Sandvold, and the always outstanding Timothy McCracken. THE DROWSY CHAPERONE might be the best musical I have seen so far in Colorado- the acting, singing, dancing, direction, design were all superb- and on top of that, Artistic Director Scott Levy stole the show as the Man in Chair. All those shows are closed- but you can still catch JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS, which is playing through this week-end. The show is more of a revue, a tribute to Belgian songwriter Jaques Brel. If you like smart, beautiful songs about life, love, war, peace, old people, young people- well, songs about what it is to be a human being- that are performed with grace, style and humor, then this show is for you. The cast of four- Halee Towne, Lacey Conell, Max Ferguson, and Alejandro Roldan- are exceptional performers, able to conjure entire worlds out of thin air. The show is directed/choreographed at a crackerjack pace by Nathan Halvorson. The band is out-friggin'-rageous. I would have been quite content to  listen to them play until the wee small hours of the morning. The design, as always at the Fine Arts Center, was excellent. If you can, get yourself down there to see yet another fine show at this gem of the Colorado theatre scene.

I myself have a new show opening this week-end- a new version of ROSE RED, which I wrote the book and co-wrote the lyrics for along with Kari Kraakevik, who did music and also co-wrote lyrics. The cast is amazing, the script streamlined, and we are premiering a new song. So, if you are in the Boulder area, please come see the show- which features some of the best young talent in the state.

And last, but not least, I hope you all take a gander at the indiegogo page for my movie Strong Tea. We just put up a new pitch video yesterday, and it's pretty damn funny. To see it, go HERE. If you like what you see- please throw in a couple of bucks, and share the site with all your friends via facebook, twitter, or whatever social media floats your boat. Thanks, and I'll see you at the theatre.

http://igg.me/at/strongtea/x/3385268

THE SPARROWS ARE FALLING All OVER THE PLACE

"I’ve been the Queen of Broken Hearts long enough!" - April

So Saturday, APRIL'S FOOL had it's first public reading ever, at the Fine Arts Center of Colorado Springs as part of the Rough Writers new play festival. It was fantastic. The cast- Nick Henderson, Jessica Parnello, Crystal Carter, Matthew Wessler, and Michelle Sharpe- were brilliant, the director - Crystal Carter- outstanding, and the overall experience very positive. They all kicked it in the ass. Seriously. These are some of the best Colorado has to offer. If you are anywhere near- and I mean like two hundred miles- the FAC in Colorado Springs and don't come to the reading this Friday, you might be what is technically known as a moron.


"We’re killing the pinball machine. Do you think it’ll fit out the window?" - Ahab


 I always feel like throwing up when I hear a new work of mine done for the first time. I don't get nerves when I act, or when I watch a show I directed. But when it's something I've written- all bets are off. But if it goes well, that feeling is quickly replaced with euphoria, triumph, and egotism.

"I am so stupid! Things are just starting to go my way, I finally get a break- and I go and kill my boyfriend!" - Moira

Now I take what I learned from hearing it out loud in front of people, make whatever re-writes I deem necessary, and we do it again this Friday at 7:30. What did I learn? First off, it seems like most people can relate to feeling unhinged in time, confused about their lives, and not quite sure what has happened to them. Go figure. On top of that, there are some tweaks to dialogue that should make it flow smoother- although, for whatever reason, dialogue seems to be one of my strongest suits as a writer. And the last scene needs something- a little more redemption or madness or I am not sure what, but there is a line or scene or event that hasn't happened yet that has to happen. I can feel it. A lot of times, when I write a play, there is some scene that comes late that ties everything together, sends it to the next level, connects the dots. In Muse of Fire, it's the scene where Dion and Mick drive to the ocean. In Last Call, it's a game of hide and seek that David and Jack play in a grave yard. Somewhere in the ether is that scene for April's Fool, waiting to say hello, to drop to the ground like a provident sparrow. I might find it today, or a month from now, but it's on it's way. Trust me.

"I gotta tell you- the coveralls, the whole hot bad girl at work thing? Daddy like." - Jaypes

I like this play. A lot. It's weird and funny and fantastical. It's got gods and dreams and murder by pinball. And a little bit of love, just for good measure.

Also on it's way, the next production of ROSE RED, at SOFA in Boulder. If you are a young performer and want to have one of the best June's of your life, be in this show.  It will kick you in the ass, and make you a super genius. Auditions are May 13 and May 20. Go here for more info:
http://www.offbroadwayfinearts.org/summer-stage-2013/

And this July, BURNING THE OLD MAN gets it's West Coast premiere at 2X4 BASH at the Western Stage in Salinas, CA. I did a lot of theatre there when I was starting out, including a three part, nine hour long version East of Eden that changed my life. It's a great theatre company, and to have one of my plays done there is very exciting to me. Come out and see it- if you do, I'll take you to the beach and buy you a soda.

"A foodie versed in Norse mythology, dressed as a clown, killed by a pinball machine, asking me out for drinks. Strange." - Norn

By the way- all the plays mentioned in this are available now, or soon will be, on INDIE THEATER NOW. So do us both a favor and buy a play for less than two bucks.

A FIGURE OF SPEECH

So we decide on some knights for comic relief in ROSE RED. We  being Kari Kraakevik and myself, Rose Red being the new musical we are creating based on the fairy tale Rose Red and Snow White. Kari and I have sat down, and I've come up with a basic plot- which will no doubt change during the creative process (and already has). In the plot, there's a lost prince who has been turned into a wolf by Endorra Belle, a powerful enchantress who has turned bad ever since her ruby heart was broken into pieces. In the notes, I have "a trio of knights enter, looking for the prince, sing funny song".



Okay. Now I'm writing the script based on my notes. Funny knights. Hmmm. When I think funny knights, I think of Monty Python and the Holy Grail. Silly, absurd, over the top. And maybe they can use language in a way that's amusing. Maybe they can have goofy names. Somehow, I decide to name them Sir Lost, Sir And, & Sir Found. This makes me laugh. So I keep it. And I figure, every now and then, someone can say "and?", which is a fairly common way of saying "what else?" in the modern parlance- and Sir And can always assume they're talking to him. Like the knights meet Rose and Snow, tell them they're looking for the Prince, Rose says "And?", and then Sir And says "are you speaking to me?" Ah, cheap laughs. I love it. And now, there's a feel to the knights. A way of speaking. Malaprops, mistaken word play- like Abbot and Costello's famous "Who's On First?" routine. For whatever reason, this opens these three characters up to me, and they are now living, breathing people. Silly knights who get lost in their own language. And use words like Gadzooks. Why not?

It happens like that for me a lot. I'll have a character or characters in mind for a story who have to do a specific thing. I kick around some ideas. Then something happens that clicks, and I can see them, hear them, know what they will do. I sometimes think I don't make up stories as tap into an alternate reality where these people really exist.

Must mean I'm crazy.

Anyway, when I tell other folks about my idea, they like it. We decide they need a song in Act Two, something to relieve the tension, keep the audience satisfied, and all that. And I figure, why not sing about language? I'll call it "Figure of Speech". Kari likes it. Words get written, music gets written, and voila- a song is born. Below are the lyrics.

One more thing- we just got word that the libretto for ROSE RED is going to be e-published by Indie Theater Now, and that is very good news indeed!


“FIGURE OF SPEECH”


IT’S A FIGURE OF SPEECH
LIKE ONCE MORE INTO THE BREACH?
OR DON’T BRING SAND TO THE BEACH?
AND THOSE WHO CAN, DO
THOSE WHO CAN’T, TEACH

MEASURE TWICE, CUT ONCE
A CONFEDERACY OF DUNCES
SAY ONCE BITTEN, TWICE SHY
LOOK ME DEAD IN THE EYE
RED SKY AT MORNING
SAILOR TAKE WARNING
RED SKY AT NIGHT
SAILOR’S DELIGHT

OH FIGURES, ANALOGIES, SIMILIES!
GOOD THINGS ALWAYS COME IN THREES!

TOO BIG FOR HIS BRITCHES
OR LIKE WHEN THE WITCHES
SAY SOMETHING WICKED THIS WAY COMES

HIS STOMACH’S GOT BUTTERFLIES
SHE’S LOOKING RATHER STARRY EYED
AND AS FOR ME I’M SIMPLY ALL THUMBS

SIMILIES, FIGURES, ANALOGIES!
GOOD THINGS ALWAYS COME IN THREES

WASTE NOT, WANT NOT
PEASE PORRIDGE, COLD OR HOT

LOST IN THE STAR LIGHT STAR BRIGHT
WISH I MAY I WISH I MIGHT

I’VE A FROG IN MY THROAT
THAT’S REALLY GOT MY GOAT

DUMB AS A POST, STRONG AS AN OX
SWEET AS A PIE, SLY AS A FOX
OH SIMILIES! ANALOGIES! FIGURES!
WAIT! WHAT WORD CAN WE RHYME WITH FIGURES?

IT MATTERS NOT, THE SONG IS DONE
THERE’S NOTHING NEW UNDER THE SUN
DON’T PUT THE CART BEFORE THE HORSE
THERE’S ONE MORE THING TO SAY, OF COURSE

DON’T LOSE HOPE, SWEET LITTLE DOVE
FOR ALL YOU REALLY NEED IS LOVE.

RAISED BY WOLVES

So as most of you know, I am writing the book and lyrics for a new musical called ROSE RED. It's based on an old Norske legend made famous by the Brothers Grimm. We had a story book of it when I was a kid, and I can still see the illustration of the ungrateful dwarf in the story, struggling to get his beard free from a tree stump in which it had been inexplicably stuck. I never could figure out how his beard got in there. It just didn't make sense. But I digress.

So, it was April, and I had agreed to write a musical with Kari Kraakevik based on Rose Red and Snow White. In short order, I needed to take a short fairy tale with five characters and expand it into a full length play, with at least 20 characters. The original story is pretty short: two sisters, Rose Red, who is sort of wild,  and Snow White, who is very domestic, live with their mother in the woods. One day, they meet a dwarf who is always getting into trouble- like having his beard stuck in a tree trunk- and they always help him out. He never thanks them for their help. In fact, he's mean to them after they help- calling them dullards and slugs and other nasty things like that. The girls also meet a bear who asks if he can come in from the cold and sleep in their house. They say okay, and become friends. One day, the girls find the dwarf being threatened by their bear friend. They decide not to help the dwarf anymore because he's been so mean. The bear kills the dwarf, and turns out to be a prince whom the dwarf had enchanted into being a bear. The prince marries Snow White, and from out of nowhere, the prince's brother appears and marries Rose Red. End of story. I never liked that ending.

I decide we need to change the bear to a wolf. I have always loved wolves. I'm not sure why. I just do. In fact, back when my main focus was being an actor, whenever I had to put a bio in a program, I'd say I was raised by wolves in Northern California. This came about because of a joke my sister Heather played once. She was directing me in a production of A Christmas Carol at Expanded Arts on the Lower East Side of NYC, and bios were due for the program. I hadn't written one, so she took it on herself to write mine, and she included the line "raised by wolves in Northern California." I liked it, and the line became part of my standard bio.

So the bear became a wolf. I call him the Wolf Prince. And why stop at one wolf? I figured, if he has a brother, shouldn't he be a wolf, too? And not just a wolf, but a more forbidding, semi-evil one. Now, when I was in fourth grade or so, I read a book called "The Wolf King" by Ann Turnbull. It was all about this boy in a village long ago who goes off to fight the evil Wolf King, who in the end turns out to be his brother. At least, that's how I remember the plot through the foggy ruins of time. So I create a Wolf King for our story- a dark character who rides in the night and is not to be trifled with.

So that's 6 characters down. Next, time to blow the plot up, see what happens.

More on that next time.

Performances of ROSE RED are set for December 14th at 7pm, December 15 at 2pm and 7pm, and December 16 at 2pm. All performances are at Actors Academy for the Performing Arts 5311 Western Ave.  Boulder, CO 80301. For more information and/or tix, call 303-245-8150 or email info@theaterforkids.net. We also have a facebook page for the show:

www.facebook.com/RoseRedMusical

Please visit and "like". And if you'd like to see more of my work, please visit the wonderful site Indie Theatre Now:

www.indietheaternow.com

RED AND WHITE

So I'm working on a new musical based on the Grimm fairy tale Rose Red and Snow White. And no, it's not that Snow White. Same name, different girl. I'm doing book and lyrics, and Kari Kraakevik is doing the music.

It's sort of a full circle thing for me, to be writing the book and lyrics for a musical based on a classic of children's literature. The first thing I ever got paid to write was the book for a musical based on Hans Christian Anderson's The Snow Queen. This was long ago, before I considered myself a "real writer"- I've always written things, but only in the past ten years have answered the question "what do you do?" with "I'm a writer". The Snow Queen that I worked on was a musical, composed by John Jay Espino in the early 1990s for The Childrens Theatre Workhop in Pleasanton, CA. The music is awesome, it was a blast to work on- and I don't even have a copy of it. I suppose I should hunt it down.

Anyhow, the new show is called Rose Red, and is set to have it's first performances in December at Actors Academy for the Performing Arts in Boulder (formerly Rocky Mountain Theatre for Kids). The plan, at this juncture, is to eventually have two versions- one to be performed by young actors, one to be performed by a much wider age range. The production this December will be performed by young actors, and I am very excited about how it's shaping up. We just had auditions, and here's a brief clip of some of the cast singing the song Red and White:

There's a lot to do now. We've got a book, and all the songs- but having worked on new shows, I know there will be changes- things we find in rehearsal, those middle of the night inspirations, etc. On top of the creative side, there's also press releases, social networking, and all that. Work, work, work- thank God I love it.

So, what's so special about this show? 

Tune in next time to find out-

I will say this- there is a character named Stinker who likes to quote Shakespeare, a Wolf King, and three gossips named Hedda, Rona, and Louella who are all new to the classic story, but turning out to be a hoot.

The show is cast- now on to rehearsal. 

Please pass this along to anyone and everyone you know- I want the show to sell out. I want to add performances. I want a hit.

And I'm gonna get one.