I really don't know, and I suppose in the grand scheme of things, and in the not so grand as well, it doesn't really matter. As Popeye, famous one-eyed sailor and lover of spinach would proclaim, I am what I am, whether by choice or fate, and all I can do it live my life as well as I can, try to find some sort of moral compass- be it part of natural law or of human construct.
Which is a long winded way of saying I am feeling connected to the world at this particular moment in time. I feel as if I am doing what I should be doing with myself in order to live the life I want to live. And a huge part of that is because I am happy with my latest play. At the same time, there is a loneliness when writing something- a feeling like no one else can see this brave new world coming to life in your brain, or alternate universe, or where ever it is that stories live. Still, it's quite euphoric being me right now. And this feeling of well being urges me further- not only to work on the new show (working title: Don't Get Too Comfy, Pal), but to finally finish post-production of Strong Tea, get to work on a screenplay idea I have that mashes up the story of Edgar Cayce with all those reality/paranormal shows on cable these days, clean up Rose Red- which is having another production this June in Boulder and possibly more in Ohio and California- and on and on. Nothing inspires like inspiration.
Right now, I'm rewriting and rewriting and then rewriting Don't Get Too Comfy, Pal. At the same time, the first draft is being read and judged by the good people at the Fine Arts Center in Colorado Springs as an entrant in their Rough Writers event. So I want all of you to face Colorado Springs from wherever you are, and send a telepathic command to whomever is reading the play, telling them to put it in the festival.
I am fairly certain I am hoping to become, or already am, a mystic.
SABRINA
So now that we’re in, what’s the plan?
AHAB
Grab the pinball machine Dickhead gave her, throw it out the window, and escape into the night!
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